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Monomer - Labyrinth — различия между версиями
(Об альбоме)
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====Об альбоме====
 
====Об альбоме====
Monomer about Labyrinth:
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Monomer о Labyrinth:  
  
"Labyrinth is everything I love about synthwave and chipmusic: chunky staccato bass lines, soaring melodies, oceans of spacious reverb and heavy, pumping drums. It was written between daydreams of androids, brain-hacking, and digital kingdoms fraught with the monsters in the machine. It was the most fun I've ever had working on music, and I hope that shows in each and every track.
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"Labyrinth - это всё, что я люблю в synthwave и чипмузыке: отрывистые {{wiki|ru|Стаккато|стаккато}} бассовых партий, взлетающие мелодии, океаны просторной ревербации и тажелые, качающие барабаны. Они были написано между снами андроидов, взламыванием мозга и цифровых королевств, чреватых монстрами в машине. Это было самой интересной из всех моих работ над музыкой, и я надеюсь, что каждый трек будет шоу.
  
 
Written gradually over the course of a year and a half, Labyrinth turned out to be the biggest musical challenge I've faced so far. It incorporates a wide array of instruments, from synths like Plogue’s Chipsounds VST and u-he’s Diva, to live guitar on a Fender Telecaster. My main goal after Quite Operational was to create an album where each song had a unique character, not only in the composition but also in the arrangement, production and mixing. This led to a lot of new territory for me, which was both exciting and terrifying, but I’m extremely happy with the end result and can’t wait to share it.
 
Written gradually over the course of a year and a half, Labyrinth turned out to be the biggest musical challenge I've faced so far. It incorporates a wide array of instruments, from synths like Plogue’s Chipsounds VST and u-he’s Diva, to live guitar on a Fender Telecaster. My main goal after Quite Operational was to create an album where each song had a unique character, not only in the composition but also in the arrangement, production and mixing. This led to a lot of new territory for me, which was both exciting and terrifying, but I’m extremely happy with the end result and can’t wait to share it.
  
This album wouldn't have been possible without help from some fantastic friends. A special thank you goes out to Bill Mueller, Trevor McEwen, Mark Barry, Tim Gardiner, and Katie Trotta. In addition, a huge thanks goes to Steve Jenkins at Telefuture and C-jeff at Ubiktune for their encouragement and advice with this release, and to Rufus Blacklock for his awesome artwork and incredible enthusiasm. Cheers!"  
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This album wouldn't have been possible without help from some fantastic friends. A special thank you goes out to Bill Mueller, Trevor McEwen, Mark Barry, Tim Gardiner, and Katie Trotta. In addition, a huge thanks goes to Steve Jenkins at Telefuture and C-jeff at Ubiktune for their encouragement and advice with this release, and to Rufus Blacklock for his awesome artwork and incredible enthusiasm. Cheers!"
  
 
====Трек-лист====
 
====Трек-лист====

Версия 22:58, 4 января 2015

Edit.gif
Требуется перевод

Шаблон:Морфкартинка

icon people.png Monomer
icon cdblack.png Labyrinth
Лейбл Ubiktune (UBI079)
icon calendar.png 06 ноября 2014

Об альбоме

Monomer о Labyrinth:

"Labyrinth - это всё, что я люблю в synthwave и чипмузыке: отрывистые стаккато бассовых партий, взлетающие мелодии, океаны просторной ревербации и тажелые, качающие барабаны. Они были написано между снами андроидов, взламыванием мозга и цифровых королевств, чреватых монстрами в машине. Это было самой интересной из всех моих работ над музыкой, и я надеюсь, что каждый трек будет шоу.

Written gradually over the course of a year and a half, Labyrinth turned out to be the biggest musical challenge I've faced so far. It incorporates a wide array of instruments, from synths like Plogue’s Chipsounds VST and u-he’s Diva, to live guitar on a Fender Telecaster. My main goal after Quite Operational was to create an album where each song had a unique character, not only in the composition but also in the arrangement, production and mixing. This led to a lot of new territory for me, which was both exciting and terrifying, but I’m extremely happy with the end result and can’t wait to share it.

This album wouldn't have been possible without help from some fantastic friends. A special thank you goes out to Bill Mueller, Trevor McEwen, Mark Barry, Tim Gardiner, and Katie Trotta. In addition, a huge thanks goes to Steve Jenkins at Telefuture and C-jeff at Ubiktune for their encouragement and advice with this release, and to Rufus Blacklock for his awesome artwork and incredible enthusiasm. Cheers!"

Трек-лист

  1. Arcana Engine (03:49)
  2. Chrome Castles (03:21)
  3. Warden (04:18)
  4. Labyrinth (04:33)
  5. Fight Or Flight (03:43)
  6. Phantom Trace (03:55)
  7. Fata Morgana (04:07)
  8. Sweet Science (03:24)
  9. Echolocation (04:05)
  10. Mindthief (04:17)

Дополнительная информация

Обложка и альтернативная версия - Rufus Blacklock.

Ссылки

Плеер